The Mushroom Man and the Sag Harbor Farmers Market

Yesterday Eason and I took a nostalgic early morning walk around Sag Harbor which ended at the farmer's market, now located farther down Bay Street past Rysam Street, and one of our favorite local places, The Dockside restaurant. Of course I was snapping photos all morning, but not in my usual big camera way. I have been in love with my Hipstamatic app on my iphone since the day I bought it. I use it constantly, probably to excess, and I have converted my son and many friends to its beautiful, romantic, over saturated and vignetted images with funky colors, cool borders and a particular vintage feel that really doesn't remind me of anything specific from my childhood, but is more fun to use than anything I remember. People are constantly asking, "What is that cool effect?" This is it.

After we left the market, I knew I had some nice images, and goodies. I drove away wishing I had thought to get some names and addresses from vendors there....the woman who sold me citron-salt, or the one with the beautiful bouquet I shot and bought, or the guy with the gorgeous mushrooms I would have bought if I had been planning to cook any day this week (I'm not).
I saw a "real" photographer shooting at the market and didn't think too much of it, until just now when I opened the Metropolitan section of the New York Times and saw the full page article: "Specialty Foods Find a Traditional Niche" That's the mushroom guy! Good to know.
I'll have to go back next week to find out who was selling that beautiful fresh pasta, the fairy eggplant, the salt and 'day boat' fish. By then I should be ready to throw a real party and indulge in all my favorite foods.....starting with those mushrooms. 

Back in Paris



Almost exactly six weeks after my last stay in Paris, I have returned, for one night, to the same hotel and the same room. I find myself sitting here, editing images from that trip for a blog about the workshop by one of its organizers. This is the view from my bed (standing on the bed to be exact). I am struggling with the images I want to submit. The ones that sum up my experience. The ones that tell my story best. I have so many stories to tell...and more of them to tell here. I love the story of the place, the Chateau in Poitiers, the empty spaces, the beautiful light and the quiet moments. But a workshop has such an interesting energy and dynamic that is created by the participants. In the end, it is the people who make the workshop....sometimes the organizers, sometimes the participants, and often never what you expect. The workshop was not what I expected. I guess my favorite photos from it won't be what I expected either.

Before You Die


Make sure you live.

What is it about being 40 something that makes me think so much about death. I am definitely feeling life is too short. So much has flown by, and I want some time back. I spent a night in New York and felt twenty. Until midnight. Then I felt forty.

As I re-discover boxes and boxes full of old photos, I am transported back to other times: happier, sadder, thinner, fatter, and all....younger. Old photos conjure such mixed memories. I have been showing a lot of baby photos to my son, who is now 11. He doesn't remember, but he enjoys the stories that go with the images. He is enjoying my old wedding photos, which I saved for him even after I divorced his father.

I have been doing a pretty good job of living and loving, traveling and sitting still, laughing and crying, feasting and fasting. I am too rarely content with where I am or what I have done, seen , felt , been, tried, etc. and I could certainly be more patient with myself.

I think now might be intermission. Time to talk about the first half. Time to anticipate the second half. No one really talks about the end of the play, except in terms of what they want the playbill headline to read.

I am just in that middle place, not sure what to make of it all.

Photos of Photos


This may not make sense to most of you who are born and raised in the digital age, but I am a crossover child. Sometimes I feel I was born at exactly the wrong time: too late to be a luddite, and too early to be a fully techno-savvy computer, internet and camera user (though I'm doing pretty well). I have to work hard to keep up with technology before it steamrolls me. I borrow my sons Flip, but I have stacks of stored Super 8 film around here too. I have converted an entire closet into storage for my negatives, and that is not yet enough space, but I have been shooting only digital images since 2005. For four years before that, I was shooting film and scanning it to CD's. Now the files are so huge that I buy entire hard drives just for one job.

I have been working for the past several months on a huge reorganization of my office and files. In the process, I have discovered all kinds of prints and negatives that I had forgotten. A print stored in a box is no better than a digital file stored on a hard drive, and so I am on a mission to share.

One thing I have done for much of my life is to take pictures of pictures. I know it seems silly. Once you have the photo, why do you need another one of it? But there is more to it than that. I don't always have the original photo. They aren't always mine in the first place.

These photos can only coexist on my shelf. My mom and dad don't speak (these are photos of them circa 1958), my grandmother has passed away (I have one of her young, and one with my dad at a cousins wedding that I shot, and my first day of first grade with my sister and my favorite cat is a treasure to me. All these different times, brought together in the present, and now preserved as a group into the future...with some money and my own carved treasure from India.

I find that our photo collections change over the years. We add a wedding or a child. We subtract a husband or honor a father who has passed on. I love to photograph whatever is taped to the refrigerator, or sitting on the piano or the mantel, or the bedside table on the day a woman gets married. It marks a moment in time, usually when her mother's wedding portrait was the only bride on display. It might be the last day she will spend in that room surrounded by photos of her most beloved friends and family.


I have also noticed something important as I see the losses suffered by people whose homes were destroyed by disaster or computers just suddenly died. The internet is a great place to store your personal photos. My boyfriend lost most of the photos that were important to him, not once, but twice. They weren't backed up, and a simple computer fix turned into a hard drive erasure that was emotionally devastating for him. Decades gone in a blink. I worry about fire and water damage. I worry about theft and technological failure. I have triple backups of all my digital files. But of most of my negatives, I have the negative, and a print...maybe....in an envelope in a box. If I lose one, I likely lose the other.

Today I pulled a batch of photos from my voluminous piles of prints and found a few worth scanning and emailing to myself. I will sleep better at night knowing that somewhere, out there, my photos exist in a safe place, even if I have no idea where that place is.

I am inclined to start a website for my son (I had the foresight to buy him a domain name several years ago) as a sort of virtual scrapbook that I can add to over the years so that he will always know where his baby picture are. I might save the most incriminating ones for his wedding, of course.

I will always take photos of my photo displays, because it reminds me of where I lived and what was important for me to show to and about myself at the time. Last weekend I was shooting a wedding with a friend in Cumberland Island, and I loved the photo displays in the houses there. These displays included paintings, photographs and all kinds of memorabilia going all the way back to their Carnegie ancestors. There were bones and found objects among the faded color and black and white images. I took photos of Gogo explaining some of those family photos to me. How amazing to see those same locations occupied by a different generation. Apparently, Bruce Weber had recently been there to photograph her. I knew he must have loved the same displays. The layers are incredible. I have a photograph of the bride getting her makeup done, while sitting under the wedding portrait of her father's mother. Those kinds of layers are so priceless to me. Few people think to take those pictures, because they see them every day. That is why I shoot them....it reminds you of what you saw every day...because one day it will be gone. I am an archivist at heart.



None of these individual photos are mine, only the overall views. I took these while shooting a wedding at Hammersmith Farm, in 1994, for a descendant of the original owner of the property and the photos were in the house. Jackie Kennedy was married in this house, which belonged to her stepfather. Most people think of it as a Kennedy home, though I think of it as an Auchincloss home. Most of the people in the photos are gone. I think that makes the faded, torn photos that remain all the more precious.